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2D animation that makes the complex clear.

2D animation and motion graphics for the things a camera cannot film: processes, products and ideas, explained clearly and on brand.

Where this fits

Animation explains the things that are hard to film: a process, a product, an idea. We use motion graphics to make complex messages clear and to keep a consistent visual identity across your content, so everything you publish looks like it belongs to the same business.

Most first projects start from £3,500, the fixed price of a Pilot Session.

How we work

Find out how we work with our customers in 30 seconds.

The showreel

Animation showreel

What this covers

Ideas, in motion.

From animated explainer videos to vibrant social content and dynamic presentations, motion design makes complex messages clear and keeps your visual identity consistent across everything you publish.

Animated explainer videos

A process or product made simple in sixty to ninety seconds.

Motion graphics for social

Branded, platform-native animation that holds attention in the feed.

Animated presentations

Pitch and report content that moves, instead of another static deck.

Idents, titles and brand animation

The small touches that make every video unmistakably yours.

Where explaining gets difficult

What usually brings people to animation.

These arrive in slightly different words every time, and all of them are workable. It helps to name them at the start.

01

There is nothing to point a camera at

Some of what you do happens inside a machine, inside software, or over months rather than minutes. A camera cannot reach any of it, so the explanation ends up as a page of text that very few people read to the end.

02

It only makes sense when someone is in the room

Your team can talk a customer through it in ten minutes with a whiteboard, and it lands every time. The website has to do the same job on its own, and that is usually where the explanation falls apart.

03

The last animation looked like everyone else's

A lot of animation is built from template characters and stock transitions, which is quick and affordable, and it does mean a great deal of it looks the same. The explanation still works, though very little of the company comes through.

How it works

A look that is yours, and every piece after the first comes together faster.

The first piece sets the style: how your product is drawn, the typography, the pace, the way things move on screen. Everything afterwards is built from those same elements, so a second explainer, a set of social cutdowns or a title sequence starts from something that already exists instead of a blank page. In practice the second piece takes less time than the first, and the tenth still looks like it belongs alongside it.

1style, agreed before we animate
3stages you sign off
Monthsof later pieces from the same elements

The project files, the illustrated elements and the finished pieces are yours, to use on your website, in sales meetings, on exhibition screens and in training, without coming back to us for additional usage fees.

Before anything gets animated

How an animation comes together.

The thing people worry about most is that animation becomes hard to change once it is underway. That is fair, so we put the sign-off points early, where changing something costs very little.

01

The script comes before the drawing

We start with a call with whoever explains this best inside the business, which is often someone technical. You approve the wording before anything is drawn, because the script is what the animation is actually made of.

02

You see it as stills before it moves

Style frames and a storyboard come next, so you can look at the visual approach and the order of the explanation while both are still easy to change. Redrawing a still frame takes an afternoon, and changing the same thing once it is animated takes considerably longer, so the decisions happen early.

03

Your technical people get to correct us

Animation goes wrong when a process is simplified into something that is no longer true. We send the script and the boards to whoever knows the detail and ask them to mark up anything we have misunderstood, which is far easier to deal with at that stage than after delivery.

04

Voice, music and the versions you need

We handle the voiceover casting, the music licence and the captions, and deliver the cutdowns and aspect ratios alongside the main piece, including a version without voiceover for exhibition screens and for social feeds that play on mute.

Common questions

Good to know.

How much does a 2D animation or motion graphics project cost?
It depends mostly on the length of the finished piece and how much has to be drawn from scratch. A short motion-graphics piece built from brand assets you already have sits at the lower end, while a longer explainer with custom illustration, a written script and a professional voiceover sits higher. The first piece is always the most involved, because that is where the visual style gets established, and anything made afterwards in the same style comes together more quickly. We are glad to give a firm figure once we know the length and the style, and the pricing page sets out how we work more generally.
How long does an animated explainer take to produce?
The script and storyboard stage usually takes longer than the animation itself, because that is where the thinking happens and where changes are cheapest to make. Once the script and the style frames are approved, the animation runs to a fairly predictable schedule. If you have a fixed date, a launch or an event, tell us at the start and we will agree the delivery date and work backwards from it.
How much of our time does an animation project take?
There is no shoot for anyone to attend, so the time sits elsewhere. Most of it is at the start, agreeing what the piece has to explain and who it is for, and that is rarely settled in one conversation. Getting the script right usually takes a few rounds between us, because you know the subject and we know what will hold someone's attention on screen. Once the script and the style frames are approved the build is mostly on our side. It helps if one person can gather feedback into a single set of notes.
Do we need a script before we come to you?
No. Most people arrive with a rough idea of what needs explaining rather than a finished script, and writing it is part of the work. If you already have one we are glad to use it, although we will usually suggest some changes, because a script that reads well on the page does not always work once it is spoken over moving images.
Can you match our existing brand style?
Yes, and it is usually the sensible thing to do. We work from your brand guidelines where they exist, and from your website and existing material where they do not. If you would rather the animation had a look of its own, we can build one, and that style then becomes something you can reuse across later pieces.
Who owns the finished animation, and can it be updated later?
The finished animation is yours to use wherever it is useful, with no separate usage fee. Updates are usually straightforward, because the project files are kept, so changing a figure, a date or a logo does not mean rebuilding the piece. Music and any voiceover artist are licensed for the uses agreed at the outset, so if the animation later runs as a paid advert at scale that licence may need extending, and we would tell you before it did.

Some of the brands and organisations we have worked with

What clients say

Shannon Cook
“From filming on location and editing remotely filmed clips to animation, voiceovers and social ads, Lumira treats every project with care, attention to detail and insight. It is why we have a longstanding relationship with the studio.”
Shannon CookWriter and Video Content Manager, BusinessBecause
Steve Folland
“I have absolute faith in his professionalism and reliability when out on shoots for me. Everyone loves him and the end product is great quality.”
Steve FollandVideo and Podcast Content Creator, Foll&Co
Eddie Guevarra
“Lumira has been a joy to work with. A true professional company who really cares about the output that they deliver. Would recommend to anyone!”
Eddie GuevarraHead of Marketing, Consalia
Jay Evans
“Totally professional, and patient with me as a host. The end result was of quality you would only expect from the best in the business.”
Jay EvansDirector, One Brick Communications
Adam Harris
“Professional, knowledgeable and productive. Lumira provides the dedicated, timely service I need to produce my regular content at the highest levels.”
Adam HarrisIndependent Trader and Chief Market Analyst
Marco De Novellis
“Strongly recommended. Produces high-quality video content for brands. Super flexible and responsive. The whole editing and feedback process was seamless.”
Marco De NovellisEditor, Founders Forum Group
Simon Lovick
“An extremely proficient camera operator who always brought his own ideas to the table. Anything we produced was exciting and engaging.”
Simon LovickContent Manager, Founders Factory

Let us map what this could do for your business.

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